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The ?good of intellect? in The Divine Comedy alludes to the inner weight of a person and the spirit of personality. The loss of one?s soul is comparable to death, and through the words of Virgil, Dante points to that image of death. Those who are beguiled to commit sin and are unable to steer away from it, kill their soul long before their death. A symbol of virtue and reason, Virgil guides Dante through hell and purgatory.
Pages: 3
Bibliography: 0 source(s) listed
Filename: 21784
Price: US$26.85
1997.21794 James Joyce's Theme of Family in Ulysses
This ten-page post graduate paper examines James Joyce?s theme of family in his novel, Ulysses. The author notes that in order to define his concept of family and present elements of human nature which diminish its bonds, Joyce constructed very detailed scenes involving human activities such as voyeurism, gluttony, dementia, alcoholism, and other destructive tendencies. The deviance of these activities was emphasized by Joyce in order to examine the challenge of maintaining healthy family relationships.
Pages: 10
Bibliography: 4 source(s) listed
Filename: 21794
Price: US$89.50
1998.21805 Expanding Monstrosity in Frankenstein
Inside us all burn passions, or daemons, and if not handled properly, the battle is lost. Passions expand into obsessions and obsessions expand into psychoses, resulting in unacceptable societal behaviors. This is the route Mary Shelly?s Victor Frankenstein takes, and he loses his battle by becoming enslaved to his ever-demanding desires.
The monster, as always, is the child of the mind, its darkest thoughts. Usually, the monster is controlled. We are taught constraint as children at school or home not to act on our darkest desires, but Victor is spoiled.
Pages: 3
Bibliography: 1 source(s) listed
Filename: 21805
Price: US$26.85
1999.21818 Clytemnestra in Aeschylus' Agamemnon
Both in contemporary terms of characterization as a derivative of dramatic action and the classical nature of tragedy as defined by Aristotle, Clytemnestra stands out as one of the most popular female roles ever conceived for the stage. From a contemporary standpoint, she maintains a strong sense of striving for her objective in an unrelenting fashion. From a classical standpoint, she epitomizes the fall from grace that is so prevalent in Aristotelian tragedy. All in all, it is a role defined by the actions of the character and those actions are on a level large enough to rank this as one of the strongest female roles ever developed.
Pages: 13
Bibliography: 2 source(s) listed
Filename: 21818
Price: US$116.35
2000.21825 What's in a Title: Foster and his Angels
This brief literary essay examines the multiple meanings inherent E.M. Forster's choice of Where Angels Fear to Tread as the title of his first novel. The title itself is a commentary on the tragic-comic consequences of sterile, repressive social conventions like propriety to the all too human foibles and frailties people living in a sensual, emotionally-intense world.
Pages: 3
Bibliography: 0 source(s) listed
Filename: 21825
Price: US$26.85
2001.21828 James Joyce?s ?Araby? and ?Eveline?
This paper compares two of James Joyce's short stories from the collection "Dubliners." The analysis follows a brief biography, and touches on chivalric and heroic themes as well as overall symbolism in the stories, and the potential for a feminist interpretation of "Eveline." The author also discusses the construction of suspense in these stories and Joyce's use of disappointment to further his realist project.
Pages: 4
Bibliography: 2 source(s) listed
Filename: 21828
Price: US$35.80
2002.21834 Lines: Composed a Few Miles above Tintern Abbey
Like all poems of the Romantic Period, Tintern Abbey portrays harmony and disharmony between man and nature. Like most Romantic poets, Wordsworth discursively attempts to reconcile the ?two consciousness.? Unlike in other works, this poem of Wordsworth attempts to relate nature with the rough faces of urban settlements as well as moral and theological concerns of humans. In romantic tradition the poem is viewed as aesthetic contemplation that entails both an objective focus on nature and a subjective focus on imagination.
